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Canvas

·       introduction of Canvas
A canvas is an especially sturdy woven cloth used for creating sails, tents, marquees, backpacks, and different things that strength is needed, still as in such fashion objects as handbags, electronic device cases, and shoes. It is additionally popularly utilized by artists as a painting surface, generally stretched across a picket frame.
Modern canvas is typically fabricated from cotton or linen, along with polyvinyl chloride, although historically it was made from hemp. It differs from different serious cotton materials, such as denim, in being plain weave rather than twill weave. Canvas comes in 2 basic types: plain and duck. The threads in duck canvas ar additional tightly woven . The term duck comes from the Dutch word for artifact, doek. In the u.  s., canvas is classified in two ways: by weight (ounces per square yard) and by a graded number system. The numbers run in reverse of the weight so a number 10 canvas is lighter than number 4.
·       For painting
Canvas has become the foremost common support medium for oil painting, replacing wooden panels. It was used from the ordinal century in European nation, but only rarely. One of the earliest extant oils on canvas could be a French Madonna with angels from around 1410 within the Gemäldegalerie, Berlin. Its use in patron saint and therefore the Dragon by Paolo Uccello in concerning 1470, and Sandro Botticelli's Birth of Venus within the 1480s was still uncommon for the amount. Large paintings for country houses were apparently more likely to be on canvas, and are perhaps less likely to have survived. It was an honest deal cheaper than a panel painting, and may sometime indicate a painting regarded as less important. In the Uccello, the armour does not use silver leaf, as other of his paintings do (and the colour therefore remains undegraded). Another common category of paintings on lighter cloth such as linen was in distemper or glue, often used for banners to be carried in procession. This is a less sturdy medium, and extant examples like sticker Bouts' sepulture, in distemper on linen (1450s, National Gallery) are rare, and often rather faded in appearance.
Panel painting remained additional common till the sixteenth century in European nation and therefore the seventeenth century in geographic region. Mantegna and Venetian artists were among those leading the change; Venetian sail canvas was pronto on the market and thought to be the simplest quality.
Canvas is usually stretched across a picket frame known as a stretcher and should be coated with gesso before it's to be used; this can be to stop paint from coming into direct contact with the canvas fibres, which can eventually cause the canvas to decay. A traditional and versatile chalk gesso consists of pigment and oil, applied over a rabbit skin glue ground; a variation using titanium white pigment and calcium carbonate is rather brittle and susceptible to cracking. As lead-based paint is toxic, care has to be taken in using it. Various various and additional versatile canvas primers are commercially on the market, the foremost fashionable being an artificial rubber-based paint composed of pigment and carbonate, sure with a thermo-plastic emulsion. Many artists have painted onto unprimed canvas, such as Jackson Pollock, Kenneth Noland, Francis Bacon, Helen Frankenthaler, Dan Christensen, Larry Zox, Ronnie Landfield, Color Field painters, Lyrical Abstractionists and others. Staining paint into the material of cotton duck canvas was additional benign and fewer damaging to the material of the canvas than the utilization of paint. In 1970 creative person Helen Frankenthaler commented concerning her use of staining:
·       For embroidery
Canvas could be a fashionable base cloth for embroidery like cross-stitch and Berlin wool work. Some specific types of embroidery canvases are Aida cloth (also called Java canvas), Penelope canvas, Chess canvas, and Binca canvas. Plastic canvas is a stiffer form of Binca canvas.
·       Types
Dyed canvas
Fire-proof canvas
Printed canvas
Stripe canvas
Water-resistant canvas
Waterproof canvas
Waxed canvas
Rolled canvas
·       Products
Wood-and-canvas canoes (see icon of canvas being stretched on a canoe)
Bags, including coated canvas (e.g. Goyard)
Covers and tarpaulins
Shoes (e.g. Converse, Vans, Keds)
Tents

Martial arts uniforms (e.g. Tokaido, Shureido, Judogi
Crêpe

Ø Crêpe
Crêpe, also spelt crepe or crape (from the Fr. crêpe), is a silk, wool, or man-made fiber material with a distinctively crisp, crimped look. The term crape generally refers to a kind of the material associated specifically with mourning. Crêpe is additionally traditionally known as crespe or crisp
Ø Types
Aerophane:Crimped silk gauze with a crêpe texture.
A historic 19th century lightweight crêpe, introduced in 1820, and, as crepe aerophane in 1861.
Albert crêpe:A superior-quality black silk mourning crêpe used since 1862.
Plain-weave crêpe.An English-made silk and cotton blend crêpe.
Alicienne: A furnishing fabric with alternating plain weave and crêpe stripes.
Alpaca crêpe: fabric and acetate mix crêpe with a woollen texture, not essentially made from alpaca yarn.
Altesse: A British plain-weave silk material with crêpe filling.
Arabian:A British-made plain-weave cloth with figured crêpe designs
Piece-dyed silk crêpe embroidered with dots.
Armure See Georgian crêpe.
Balanced crêpe: Crêpe woven  with alternating S and Z twist yarns in each directions.
Balmoral crape: An 1895 English crape.
Balzerine: Associate in Nursing 1889 narrow-striped silk sirup overlaid with wider crêpe stripes. An earlier decade cotton/worsted material, spelled balzarine, is probably not crêpe.
Bark (or tree-bark) crêpe: A broad term describing rough crêpes with a bark texture.
Bauté fabric: Warp-woven satin with an obvious crêpe reverse.
Borada crape: a less expensive, economical version of mourning crape publicized  in c.1887.
Bologna crêpe: Silk crêpe used for mourning, conjointly called valle Equador laurel.
Canton crêpe: A soft silk crêpe with a pebbly surface originally associated with Canton in China, with bias ribs. Made in United Kingdom, however exported to China, thence its name.
Caustic soda crêpe: Cotton treated chemically to make a crêpe-like texture, often in patterns.
Chiffon crêpe: Chiffon-weight crêpe
Ø Types (E to L)
'ele'ele kanikau: Black mourning crêpe worn in Hawaii.
Epingline: Textile in silk, rayon or worsted with a crêpe surface.
Esmeralda or étendelle: Sheer white crêpe or gauze in style within the early nineteenth century, often embroidered.
Flat crêpe: conjointly known as mock crepe or (inaccurately) French crepe. A smooth, flat plain-weave material, typically a silk blend, with hard-twisted yarns and ordinary yarn warp. Also wont to describe an identical material created while not crepe-twist yarns.
French crêpe: Inaccurately applied to flat crêpe.
Plain-weave lightweight silk or fabric cloths kind of like flat crêpe.
A intimate apparel weight material with standard yarn warp and a twisted filling yarn that's less twisted than typical crepe twist.
Gamsa: An imitation satin-backed crêpe in twill weave rayon
Ø Types (M to Y)
Marana: Woollen crepe, very resilient and drapable.
Mock crêpe: See flat crêpe
Momie crêpe: Light cotton fabric.
Moss crepe: See sand crepe
Norwich crêpe or crape:
19th century silk warp and worsted, resembling a non-twill bombazine but not considered true crêpe.
17th century black-dyed worsted crêpe made in England.
A georgette-like silk and cotton mix material during a crêpe weave.
Pekin crêpe: Pekin (shiny and matte striped textile) woven with a crêpe weft.
Plissé: principally cotton material with a crêpe impact created by with chemicals treating the material to pucker and crinkle, generally in stripes. Plissé satin is made using crêpe yarns.
Ø See also
Crêpe paper, paper with similar texture
Ø References
Online Etymology Dictionary
Dictionary.com
Taylor, pp. 246-253
Tortora & Johnson, p. 6
Lewandowski, p.6

Lewandowski, p.77
Felt

§  Background
Most materials area unit woven , which means they're created on a loom and have interlocking warp (the thread or fiber that's arrange lengthwise on the loom) and woof (the thread that cuts across the warp fiber and interlocks with it) fibers that make a flat piece of material. Felt may be a dense, non-woven material and with none warp or woof. Instead, unwoven material is formed from matted and compressed fibers or fur with no apparent system of threads. Felt is produced as these fibers and/or fur are pressed together using heat, moisture, and pressure. Felt is mostly composed of wool that's mixed with an artificial so as to make durable, resilient felt for craft or industrial use. However, some felt is formed entirely from artificial fibers.
Felt might vary in breadth, length, color, or thickness looking on its meant application. This matted material is especially helpful for cushioning and lining because it is dense and might be terribly thick. Furthermore, since the fabric is not woven the edges may be cut without fear of threads becoming loose and the fiber unraveling. Felted fibers typically take dye well and craft felt is out there during a multitude of colours whereas industrial-grade felt is mostly left in its wild. In fact, felt is used in a wide variety of applications both within the residential and industrial contexts. Felt is employed in air fresheners, children's bulletin boards, craft kits, holiday costumes and decorations, stamp pads, within appliances, gaskets, as a clothing stiffener or liner, and it can be used as a cushion, to provide pads for polishing apparatus, or as a sealant in industrial machinery.
§  History
Felt could also be the oldest material known  to man, and there area unit several references to felt in ancient writings. Since felt is not woven and does not require a loom for its production, ancient man made it rather easily. Some of the earliest felt remains were found within the frozen tombs of mobile horsemen within the Siberian Tlai mountains and date to around 700 B.C. These tribes made clothing, saddles, and tents from felt because it was strong and resistant to wet and snowy weather. Legend has it that in the center Ages St. Clement, United Nations agency was to become the fourth bishop of Rome, was a wandering monk who happened upon the process of making felt by accident. It is said he stuffed his sandals with tow (short flax or linen fibers) in order to make them more comfortable. St. Clement discovered that the combination of moisture from perspiration and ground dampness coupled with pressure from his feet matted these tow fibers together and produced a cloth. After turning into bishop he found out teams of staff to develop felting operations. St. Clement became the patron saint for hatmakers, who extensively utilize felt to this day.
Today, hats are associated with felt, but it is generally presumed that all felt is made of wool. Originally, early hat-making felt was made exploitation animal fur (generally beaver fur). The fur was matted with different fibers—including wool—using heat, pressure, and moisture. The finest hats were of beaver, and men's fine hats were often referred to as beavers. Beaver felt hats were created within the late Middle Ages and were abundant in demand. However, by the end of the fourteenth century many hatmakers produced them in the Low Countries thus driving down the price.
§  Raw Materials
Felt is produced from wool, which grips and mats easily, and a synthetic fiber that gives the felt some resilience and longevity. Typical fiber mixtures for felt embrace wool and polyester or wool and nylon. Synthetics cannot be turned into felt by themselves but can be felted if they combine with wool.
Other raw materials employed in the assembly of wool embrace steam, utilized during the stage in which the material is reduced in width and length and made thicker. Also, a weak sulfuric acid mixture is used in the thickening process. Soda ash (sodium chloride) is employed to neutralize the oil of vitriol.
§  Quality Control

Quality control begins with the arrival of the materials. Materials are checked for quality and weight. Some companies purchase wool that has been scoured and baled; the purity of the bales is examined upon entry. Other important quality control checks include continuous monitoring of the carded webs, since the web sizes are important first steps in producing the desired length and width of the felt. Once the batts are shrunk in width and length, the company checks the weight, density, width, length, and evenness of the batts. When production is complete, visual checks may reveal that the surface of a batt is slightly uneven and additional pressing may occur to even out the surface. The acid baths are also very carefully monitored. The amount of your time the material is within the acid bathtub is exactly calculated by weight and length of yard sensible, lest the piece is ruined. Finally, the corporate manufacturing industrial felt has got to check its merchandise against a governmental normal for the merchandise. The government has determined that 16 lb (7.3 kg) density felt must be 1 in (2.5 cm) thick, 36 in (91.4 cm) wide, 36 in (91.4 cm) long, and weigh 16 lb (7.3 kg). If the felt weighs but this, the material isn't dense enough and doesn't meet government expectations for that grade of felt.
Jersey Fabrics

·       Jersey Fabrics
Jersey materials area unit single knit materials with a particular stretch. The name comes from the Isle of Jersey, one of the Channel Islands between Britain and France, where Jersey’s own sheep were bred. Back then, this soft material was made of wool, and the fabric was ‘for men only’. The most popular uses included underwear and fishermen’s sweaters.
In 1916, coconut Chanel introduced jersey to the style world. First, she created an important jersey coat, then every kind of jersey dress that were very comfy to wear. With her simple, yet elegant designs she popularized the fabric and made it available to women of all ages and builds.
Jersey materials are usually opaque, soft and drapery. They have fine ribs running lengthwise on the face side, and loops on the reverse. Plus, they are highly versatile! Jersey fabrics are easily sewn into dresses and skirts, tops and sweatshirts, cardigans and jackets, sweaters and trousers. You can also make shawls, scarves and other accessories.
·       What to Make with Jersey Fabric?
Remember, once jersey was a men’s fabric only? Coco Chanel made it an essential part of women’s wardrobe. She created loose blouses, superior and cardigans mistreatment cotton and wool jersey. Coco believed that each girl ought to be ready to bend right down to place on her shoes, and jersey was the perfect fabric because it allowed for a lot of movement. In 1924, she made comfortable clingy jersey costumes for the ballet dancers from “Le Train Bleu”. That was indeed a revolution!
Ok, now back to the question. What can you make with jersey fabric?
Wrap dresses
Maxi, midi or mini dresses with batwing style, raglan or capped sleeves
Panelled bodice dresses
Peasant dresses
Knit tops, like halter back or tank superior
Polo shirts
Full or pencil skirts
Jackets with front lapels – or without
Tunics with ruffle hems
Wide-leg, side-zip trousers
Capri leggings
Robes and pyjamas
Kids’ summer dresses and breeches
Hosiery
Underwear
Sportswear
Sweaters and cardigans
With jersey, we could go on forever. But we’ll give you the freedom to come up with your own ideas. Meanwhile, let’s trust different potential uses for jersey knit:
Headbands
Appliques, e.g. flowers
Scarves
Wraps (baby wraps included!)
Pillow covers and slipcovers
Quilts
In general, jersey clothes have a less complicated cut compared to things made from woven materials. Since jersey knit is elastic, you do not need buttons, zippers or closures to make a dress or a shirt – it can be pulled on over the head. Plus, jersey fits every kind of body sizes and shapes. Probably, the best news ever!
·       Jersey Fabric in Fashion
Jersey is the kind of material that needs no advertising. Everybody knows that it’s comfortable, wrinkle-resistant and stretchy.
Usually jersey makes its way into the world of fashion when winter is around the corner. Then we have a tendency to get to visualize various superior, cardigans, sweaters and dresses created with insulating materials. Lightweight jersey fabrics can be worn in spring/summer too, and some designers even offer evening dresses and gowns made of draped jersey.
Tailored jackets, pants and sweatshirts are also among the most common jersey garments. Plus, this soft material appearance nice with completely different textures, like fur, leather or even silk! You can keep the look simple, avoiding extra accessories, or – quite on the contrary – create a dress with printed or embroidered jersey knit.
·        The Jersey Selection at Tissura
The vary of solid and written jersey materials you'll be able to purchase on-line at Tissura material search consists of top-quality knits delivered from:
France
Great Britain
Italy
Switzerland
Tissura offers the foremost modern colors and prints of varied quality: 100% silk, viscose, wool and cotton, stretch jersey fabrics, silk and cashmere, and much more.
Plain jersey knit is ideal each for casual and formal wear. From dresses and skirts to jackets, pants and even accessories, this fabric is easy to pair with almost any solid or printed material.

Patterned jersey fabrics are ideal for year-round wardrobe essentials. The range of prints includes floral, geometric, abstract, ornamental, dotted, striped and animal knits.
Lace Fabrics

·       introduction of Lace Fabrics
Lace, ornamental, work material shaped by process, interlinking, trim (plaiting), or twisting threads. The line between lace and embroidery, that is Associate in Nursing ornamentation adscititious to Associate in Nursing already completed material, isn't simple to draw; variety of laces, like Limerick and filet lace, can be called forms of embroidery upon a more or less open fabric. On the opposite hand, fancy knitting, however much an ornamental openwork fabric, is not usually thought of as lace, though in some museums it is so classified. Openwork materials created on a loom (for example, brocaded gauze) are not considered lace.
Before 1800 the threads of lace were typically linen; once 1800 cotton was a lot of common. Silk and metal thread and infrequently such alternative materials as wool, aloe fiber, and hair of various kinds were also used.
Almost all laces that have some claim to be called works of art are made in one of two techniques, needle lace and bobbin lace (qq.v.). Needle lace involves a really troublesome technique and has rarely been utilized in genre or, except at the beginning of its history, by amateurs. Bobbin lace in its easier forms may be a widespread craft and amateur interest, but the more elaborate laces require the highest degree of skill. There area unit variety of minor techniques of tatting, including the following: drawn-thread work, or punto tirato; cutwork, or punto tagliato; filet, or network, lace; macrame, or knotted lace; punto a groppo; punto avorio; crochet; and tape lace.
·       What Are the Types of Lace?
. Nowadays, lace material is wide used not solely in bridal fashion, however conjointly for finishing casual garments, sewing evening or festive outfits, and even for lingerie.
. Here are the main types of lace, which are extremely popular today:
. Chantilly lace is a type of lightweight lace (30-180 g/m 2) on a net background, usually with a floral pattern, outlined with silk threads. The name of lace came from French city Chantilly.
. This type of lace is a timeless classic. Sheer or semi-sheer, with scalloped edges, it is perfect for bridal fashion, airy evening gowns or overlays.
. Guipure lace is a heavy type of lace (70-400 g/m 2, wool guipure lace can weigh up to 800 g/m 2), which features a raised design. It doesn't have a web background like Chantilly lace, parts of guipure lace area unit connected with braids. It’s a great choice for casual and evening dresses, blouses, skirts, jackets and outwear.
. Lyon lace is a type of lace made of pure cotton with the weight of 90-150 g/m 2. This lace has a complex pattern, woven on a lightweight tulle and outlined with a cord thread. It is produced on the original looms, which remained from the 19th century. Perfect for a wedding dress.
. Corded lace is a type of lace outlined with a soutache cord, which creates a volumetric effect. The weight is 45-185 g/m 2. Choose it for a wedding or evening dress, for decorating of any attire or as overlay material.
. Embroidered lace is perfect for evening wear. The weight is 100-550 g/m 2. Lots of beads, sequins, crystals, ribbons, satin stitch embroidery and more create a festive look. It is extraordinarily common for making high fashion robes. Ideal for evening wear, bridal gowns.
. Lace applique is a piece of openwork material. The weight depends on a décor, with beads and bugles lace appliques can have the same weight as embroidered lace.
·       Properties and qualities
Lace is an openwork fabric handmade or machine-made. Depending on a type, its weight is from lightweight to heavy. It is breathable, sheer and may require a lining. The lace is soft to the bit, especially if made with silk, cotton or wool. With synthetic fibers it is more durable. Metallic threads add shimmering. The typical patterns are floral and botanical, but the design can often be geometric, ornamental, with stripes and waves, checks and paisley. The lace material is ideal for evening, bridal and casual wear, home textiles, lingerie, finishing.
·       How to Care for Lace Fabric?
Lace fabric requires delicate care. Dry-cleaning is preferable. First of all, check the care label before washing. If hand wash is allowed, choose a gentle cleaning agent, use cold water, and dry on a towel after washing. If the lace is machine washable, select the delicate mode, use a wash bag and mild detergent. In case of improper care, for example, if a temperature of the water is higher than recommended, shrinkage is possible. Note, embroidered lace is not washable.

If possible, try to avoid ironing. It is especially important in case the lace contains synthetic fibers, because they can melt. If you decided to use iron, note the lace should be treated very carefully. Put the lace on a towel and place a press artifact or an evident cotton material between the iron and lace. Choose the proper temperature. If you wish to dry the wet lace with iron, step by step raise the temperature from cool to cool-medium. When the lace is almost dry, put the iron aside. To avoid stretching, dry heavy lace apparel flat.
Linen

·        Introduction
Linen /ˈlɪnən/ could be a textile made of the fibers of the flax plant. Linen is grueling to manufacture, however the fiber is extremely robust, absorbent and dries quicker than cotton. Garments product of linen ar valued for his or her exceptional coolness and freshness in hot and wet weather.
The word linen is of Germanic origin and cognate to the Latin name for the flax plant, linum, and the earlier Greek λινόν (linón). This word history has given rise to a number of other terms in English, most notably line, from the use of a linen (flax) thread to determine a straight line. several product square measure manufactured from linen: aprons, bags, towels (swimming, bath, beach, body and wash towels), napkins, bed linens, tablecloths, runners, chair covers, and men's and women's wear.
The word "linen" manufactured from from the Latin for the flax plant, which is linum, and the earlier Greek λίνον (linon). This word history has given rise to manufactured from of manufactured from terms:
Line, derived from manufactured from of a linen thread manufactured from a line
Lining, manufactured from linen was manufactured from manufactured from manufactured from manufactured from inner layer for wool and manufactured from manufactured from
Lingerie, via French, originally denotes manufactured from manufactured from linen
Linseed oil, an oil derived from flax seed
Linoleum, a manufactured from manufactured from manufactured from and manufactured from materials
·        History
A bag of white linen, unopened. Contains rolls of linen. Foundation deposit, Heb Sed Chapel at Lahun, Fayum, Egypt. 12th Dynasty. The Petrie Museum of Egyptian Archaeology, London.
The discovery of manufactured from flax fibers manufactured from manufactured from Georgia dated to manufactured from thousand years manufactured from suggests that ancient manufactured from used wild flax fibers manufactured from linen-like manufactured from from an early date.
In ancient manufactured from, flax was domesticated and linen was initial manufactured from. It was used manufactured from by the wealthier manufactured from of the society, as well as clergymen. The Sumerian manufactured from of the manufactured from of manufactured from and manufactured from (Tammuz), translated by manufactured from manufactured from Kramer and Diane Wolkstein and manufactured from in 1983, mentions flax and linen. It opens with manufactured from listing the steps of manufactured from linen from flax, manufactured from manufactured from manufactured from and answers between Inanna and her brother manufactured from.
In ancient Egypt, linen was used for mummification and for burial shrouds. It was also worn as clothing on a daily basis; white linen was worn because of the extreme heat. The use of linen for priestly vestments manufactured from confined to the Israelites; biographer wrote that the manufactured from of Isis manufactured from wore linen manufactured from its purity.
·       Flax fiber
·       Description
Flax stem cross-section, showing locations of underlying tissues. Ep = epidermis; C = cortex; BF = bast fibres; P = phloem; X = xylem; Pi = pith
Linen is a bast fiber. Flax fibers vary manufactured from from manufactured from manufactured from to manufactured from manufactured from (1 to six in) and average 12–16 micrometers in diameter. There manufactured from manufactured from varieties: shorter tow fibers used for coarser manufactured from and longer line fibers used for finer materials. Flax fibers will sometimes be known by their “nodes” that boost the pliability and texture of manufactured from.
The cross-section of the linen fiber is made up of irregular polygonal shapes which contribute to the coarse texture of the fabric.
·        Properties
Linen manufactured from feels cool manufactured from, a manufactured from that indicates its higher conduction (the same principle manufactured from metals feel "cold"). It is manufactured from, manufactured from the finished manufactured from lint-free, and gets softer the more it is washed. However, constant creasing in the same place in sharp folds will tend to break the linen threads. This wear can show up in collars, hems, and any area that is iron creased during laundering. Linen has poor manufactured from and manufactured from spring back manufactured from, explaining why it wrinkles so easily.
·        Measure
The standard live of bulk linen yarn manufactured from "lea", manufactured from is that the manufactured from of yards manufactured from pound of linen divided by manufactured from. For example, a yarn having a size of manufactured from lea manufactured from provide three hundred yards per pound. The fine yarns used in handkerchiefs, etc. might be forty lea, and provides 40x300 = twelve,000 yards per pound. This is a specific length therefore an indirect measurement of the fineness of the linen, i.e.,
·        Production method
See also: hand processing flax
Details of the flax plant, from that linen fibers ar derived
Mechanical baling of flax in Belgium. On the left side, cut flax is waiting to be baled.
The quality of the finished linen product is usually dependent upon growing conditions and gathering techniques. To generate the longest potential fibers, flax is either hand-harvested by actuation up the complete plant or stalks ar cut terribly about to the basis. After harvesting, the plants are dried, and the seeds are removed through a mechanized process called “rippling” (threshing) and winnowing.
·        Producers
Flax is adult in several elements of the planet, but top-quality flax is primarily grown in Western European countries and Ukraine. In recent years bulk linen production has moved to Japanese Europe and China, but high-quality fabrics are still confined to niche producers in Ireland, Italy and Belgium, and also in countries as well as Republic of Poland, Austria, France, Germany, Sweden, Denmark, Belarus, Lithuania, Latvia, the Netherlands, Spain, Switzerland, Britain and Kochi in India. High quality linen materials ar currently created within the us for the upholstery market and in European country. [citation needed] Russia is currently the major flax cultivating nation.
·        Uses
Bielefeld Germany linen Not geld issued by Stadt-Sparkasse on 8 November 1923

Over the past thirty years the tip use for linen has modified dramatically. Approximately seventieth of linen production within the Nineties was for attire textiles